FOR OUR CAT, MIKEY

•June 14, 2011 • Leave a Comment

Yes. I am grieving for my dead cat.

It’s weird to see how a grown man sheds tears for a pet cat — a seemingly small and insignificant thing that could be no better than a conversation piece. It’s also strange how since we had Mikey checked, and he was diagnosed with a heart problem, we somewhat felt much closer to him. In the months that followed that check up, he with his labored breathing and weight loss, would worry us. We would allow him to do something we don’t usually do — let him into our bedroom. Once inside, he would sit still for several minutes, peering at the small lights through the window, or the paper rustling on my desk when the fan hits them. In those moments, I would imagine Mikey to be a old man, tired from living a full life, just staring into space while reminiscing the years that have been. He then would jump up the bed, and greet us with his odd meow (like a low-pitched “murraw”), and begin to savor the soft, wide bed — a welcome change from the cold tiles in the living room near the front door. He would then proceed to approach me and firmly thrust his front paws alternately against my stomach, as if massaging it. He was called “masseur cat” because of this, just one of the many fond names our friends have come to call him (i.e. others are “fluffycat”, “Mikey The Cat”, and “yellowfur”).

It was during these “funny” moments that I get a sense of (oddly) affection from a non-human creature. It could be from watching movies like “Flipper”, “Lassie”, and the other animal flicks that I feel an outpouring of attention and warm contact… something we don’t always get day by day, from any human or otherwise. I could almost equate it with my Mother giving me a sponge bath at age 6 when I have high fever, or my best friend asking me to go biking with him, or my grandmother taking me to the movies even when I was too young to remember any storylines. It seemed important enough to feel, analyze, and remember. Subsequent research would tell us that most cats do this as a latent “force-of-habit” gleaned from being tiny kittens suckling from their Mama Cat, pushing the tits to squeeze the milk out as they feed. Funny as that seemed, I do so enjoy allowing Mikey to do his “habit” on me. It was a way that we connected.

He would go on with this massage for as long as 20 minutes, until we tire of it, get sleepy, and need to send him outside the bedroom so we could sleep. I would feel sorry for sending him out, but its rare that he would stay in the room til the time we need to get up in he morning. He would sleep on the bed, and then get up after a few hours, open our bedroom door, and slip out. Yes, he opens doors. He jumps the small lever that opens the door, a skill only he has, among our 3 cats.

This morning, as Harry was packing his bags to go to a weeklong work activity, Mikey stood close by in the room, like a mother watching her son pack for summer camp. It was the last time Harry would pick him up and talk to him. Tonight, after refusing to ingest his heart medicine tablet, Mikey saunters into our studyroom where he usually looks for us when he wants attention. He lets out a shrill yelp, a sound we have never heard from him. We rush to find him gasping and stiffening, as if drowning. Within seconds, he lost life. I took out a towel, wrapped him and brought him to Harry, who also bade a tearful farewell. It felt like a friend died. It felt like love died. It was quite sad.

It was not insignificant. For four years, Mikey would keep our little apartment alive with his antics and noises. Now, even the two other cats feel his loss, hiding in a corner of the living room, as if in disbelief. I may be crazily ascribing human emotions and actions to a bunch of “lower” creatures. But having taken these cats from when they were kittens, rescued them from the cruel streets, nursed them to healthy youth and then to adulthood — nothing else came so close to having children of our own. This may seem silly to some, but to me, it makes sense. The same way we value a job, a memory, a promise, a friend…I value Mikey, our cat, just because of what he is and what he makes us feel, despite his “non-humanness”. It was a fondness that overshadowed any silliness or idiocy, or triviality that anyone might poke at it. All those never mattered to us. What matters is that we had Mikey, he had us, and even for just a few years, we co-existed and drew happiness from it. Thank you, Mikey. We feel your loss quite dearly. We will remember you for life.

All pets go to heaven. Mikey couldn't wait.

Smile, And Be Done With It

•January 8, 2011 • Leave a Comment

SMILE...DO IT! Shot in 2008. Victoria Peak, Hong Kong.

Believing I’ve been quite a spoiled kid when I was little, I used to think that the reason I get frustrated many times in too many situations is that I am used to ALWAYS getting what I want. I realized that untruth when I look at the mirror now and see how much I’ve wanted, and how much I haven’t achieved. Do you feel that that you had your own car too early and did not enough jeepney and bus rides? Do you think that you’ve always been the one breaking relationships first, and breaking other’s hearts before the other person break yours? Do you feel more privileged that you got the best jobs, and always left it at the sight of an even better one? Does all that make you feel good, accomplished, and superior? Or does it make you feel spoiled, guilty, and unworthy? After enough thinking, one may reach the conclusion that the latter may be true, but there are no more chances to ‘fix’ things, and one is left with a heavy heart and a forlorn expression on one’s face.

Too much thinking gives you wrinkles and gastritis (this I know for sure). But I learned how one simple thing can save the day, just when you most need it. The same way that a good whiff of fresh brewed coffee or orange blossom hand soap, or Katy Perry’s “Firework” perks me up, seeing someone smile at me changes things almost immediately. I smile back and see that it usually has the same effect on the other person. Notwithstanding that smiling uses way less muscles and energy than frowning does, smiling (forced or spontaneous) does “brighten” things up instantly. Suddenly things don’t seem so bad. Suddenly, problems have solutions, some light seems to pour into the dark room, and some sweet smelling aroma awakens the senses. I feel this in the very special mornings when I wake up beside my baby, and the very first thing he does is smile at me, even before he opens his eyes.

Being a photographer, smiling is usually of prime concern to me, as most people need to smile to look happy or pleasant in a photo. Making someone smile has become more important to me because of this, yes. But when I know that the smile is real and sincere, I get satisfaction that I was part of that fulfillment or happiness, and there’s a good photograph of that smile to prove it. I am on the verge now of finding a way to put in legislation, that just as wearing seatbelts are mandatory for drivers on the streets, people must make it a point to smile as soon as they wake up, and several times throughout the day. Maybe I’ll smile at my congressman today and see how he reacts.

Not with a frown I hope. I’d like to do it, nonethess, and regardless, I’ll be done with it and made things a little better. At least for me.

 

The Moving Box

•December 13, 2009 • Leave a Comment
The City That Never Sleeps

Times Square

If you can be somewhere else right now, where would you want to be? That is the place, physical or an abstract where you really want to be. That’s where your longing and dreams point to, and that is where happiness and true love reside. People who like to travel, as I do, often feel the need to keep moving — sometimes to familiar places they’ve gone to in hope of a new experience, and sometimes to uncharted areas where they hope to find some piece of themselves. Living in a new place is yet another adventure. It’s a calm surrender to new rules of the environment, and the people who were there before you — it could be effortless, or taxing, but in the end, something we need to get over. Some would move near a serene lake where there’s a view of the lush forests and nearby mountains, others would live by the sea with the unending  sound of ocean waves caressing the shore. Some love the bustling city where there is always something to explore each hour of the waking life, and some love the peacefulness of temples and idyllic relaxation in a place far from the rest of the world. And everywhere we go and move to, we try to adapt to new situations with what we know and have, pick some new things up and learn new bits of knowledge, and we discover that some of the things we used to know as true, are really not.

It seems it’s what every human being wants to do. But I have met many who want to stay where they are. With a house they built, with a wonderful job, with their family. I have to confess a basic envy of these people, who feel they do not need to move, to get where they want to be. More than the change in position from point A to point B, moving is really the act of achieving what one wants, the necessary and pro-active way to be happy. Nothing can be more exhilirating than finding that pot of gold after we walked miles following where the rainbow ends. This is what WORK is about. What STUDYING is about. It is what RELATIONSHIPS are for. To MOVE is to continue living happily.

Some days, I feel that I am tired of moving, and will decide that I want to stay right here, where I am, only to find in a few years, that I can be happier somewhere else. I began to realize that it’s not the action itself that is liberating and fulfilling, but the decision to leave some things behind — the unnecessary and the negative; and bringing with you the stash of great times, brilliant achievements, beautiful memories, and wondrous relationships you’ve garnered along the way. Photos of past birthdays and christmas parties, letters from people we’ve met and related with, trinkets and baubles from exotic places we’ve visited — these are things found in my Moving Box. Whenever I open this box, it feels like time travel and dreaming. I go to it when I need to feel assurance and the affirmation that I’m doing quite alright. I keep it close by when I need to be convinced to keep on moving. When I return from a trip, I often have something I want to add in it, to enhance the collection. Sometimes, I discover something in there I don’t want to keep anymore, because I want to make some space for a new acquisition. And sometimes, I just empty all the contents on the bed and judge which objects stay and which ones get discarded –  a moment when I would be both sentimental for the things that mean a lot, and ruthless in throwing away that which no longer means anything.

We all have to move sometime. We stay for some time in a place, and then, move again. It’s not an automatic phenomenon, though. One has to will it. There will be times in our lives when we absolutely need to move. Oftentimes, it would just be a thought that sits in our head until a compeling reason comes along.  And when one feels he wants to get out and get moving, a look into the Moving Box may help. Happiness can be both simple and complicated. In the end, it is what we let go of, and what we keep with us that keeps us happy.

ART YOU GLAD YOU’RE FILIPINO?

•November 30, 2009 • 3 Comments
"Bagong Lipunan"

With the Bagong Lipunan mural of National Artist Carlos "Botong" Francisco

It’s been two not-so-good years for many of us. 2008-09 saw a dip in our financial well-being, unfortunate and unneeded wars fought everywhere, and a general feeling of hopelessness for some. In the Philippines, we were hit by a clump of climate scourges, and most recently, some extreme, politically-motivated massacres that may forever put the country in the Wall of Shame.

It’s been hard for us Filipinos. Yet, where some doors have been slammed shut, some windows have opened. There’s Kuya Efren who won CNN and the world over with his educational revolution. There’s Charice Pempengco and Lea Salonga and Arnel (of Journey) who’ve distilled the image of world-class Filipino talents in nations across the globe. And, OK, there’s Manny Paquiao. One can look farther back in History, and find that we pinoys didn’t do so bad, despite all the disasters that are thrown our way.

On the second week of December, I’d have achieved another milestone in my life journey as a photographer. Vibal Foundation will be launching a new coffee table book on the life and works of famed muralist Carlos “Botong” Francisco, for which I’ve shot around 250 works of art — from the smallest 8″ x 10″ costume sketch, to the largest single piece of about 30′ x 40′, pictured above. He lived from the 30s thru the 60s, and left us hundreds of masterful art pieces, some of which are currently displayed in important public domains around the country.  Full of  iconic renditions of Filipino culture and ideals of beauty and romance, Botong’s paintings reek of emotions and messages — images that truly define a proud and brilliant race. One doesn’t need a degree in art appreciation, or a museum habit to see what it is all about.

It was not just a photo-documentation job for me. It awakened a consciousness in me — a sense of a hunger being filled. It’s like drinking in the beauty of a perfect rose, or seeing the blue, cloudless sky after being cramped inside an office all day, or falling in love with your first crush. Not til this project did I begin to look at paintings with a caressing gaze, seeing not just a decor or an environment, but a presence that shouts to be felt. I gained a bit of insight into why collectors become obsessed with acquiring the art they love, why people and corporations pay stratospheric sums to own an image on a canvas. It is more normal, and more essential than any other reason one may think of — love for life.

When we look, we find. When we look in the artwork, we are really trying to find “ourselves” in it. I did, in some of the murals that I photographed — I “was” the boy running alongside a dog while the village men are carrying a house in the Bayanihan piece at Yuchengco Tower; Simon of Cyrene who helped Jesus Christ carry his cross in the Stations of The Cross series in the FEU Chapel; one of the Katipuneros in the massive, “in the round” mural of the “Struggles of the Philippine Nation” at City Hall. It felt like dreaming wide awake, the closest I would probably get to a drug-induced high. It’s when I understood that THAT is what the artist wants to achieve in us.

The experience made me realize that I do love my life — the whole of it, from whence I started to feel and think for myself, until this second that I’m writing this. It is not perfect, with all its challenges, failures, triumphs, successes…but it’s what brought me to the joy that I own now. The greatest thing about it is that it is possiblee to create something new in it everyday. A new stroke, a new splash of color, on a fresh empty canvas. If I can in my next lifetime, I would like to come back as an artist, like Botong Francisco. I think the artists are the ones who really know how to LIVE.

FROM GOOD FRIDAY TO RICKY MARTIN

•August 2, 2009 • 1 Comment
Ricky Martin live at the Kallang Theatre in Singapore. 2003 I think.

Ricky Martin live at the Kallang Theatre in Singapore. 2003 I think.

It was Good Friday of 2003 in Singapore when I picked up my Nikon F-150 and told myself, “I am going to take this to the next level”. I had just then purchased 15-year old Daylite studio strobes from a photographer friend in Ang Mo Kio, and gathered a handful of my new friends for a casual photoshoot. We had outfits, accessories and make-up, and while the christian world observed the Lenten season, we were making my neighbors in Lorong Chuan curious with all the noise were making. My friend (and eventually, model) Joey Carmona impressed upon me to buy my first digital SLR at an IT convention– even foot the bill for it at first since I didn’t have cash at the time. I brought the same camera — a Canon 300-D when Sony BMG got me to help cover the Ricky Martin “Soul Silence” concert tour in Singapore. That’s when I saw the potential. That’s when I realized how obssessively ‘visual’ this world has become.

I got into photography because I’ve seen how the power of a printed image has influenced people’s decisions on just about any aspect of their lives…buying daily needs, where to study, what to eat, where to live, how to love. In its stark silence and immutability, a picture communicates volumes, even more than words can say. Who is in the picture can even more arresting, as the world is obsessed with celebrity, pomp, pain and triumph. The camera is my pen, and the image is my vision of life.

I hope readers would share  this with me, taste the exhiliration and flow with the glow. I hope these photographs become their favorite memories that will appear in their dreams, surface in their conversations, and stay in their  lives. I wish I would always come up with photos that people will want to remember, to share with others. That is, I believe, what I really want out of this life right now.

VILMA: SEASONS OF SUCCESS

•August 1, 2009 • Leave a Comment

Vilma_InMyLife_03_web

VILMA SANTOS: ALWAYS IN SEASON
Photos and Text By David C. Fabros

Forty six years is a phenomenally-long time to be enjoying a thriving showbusiness career. Whereas actors and actresses these days would rise and fall with the changing tastes of the film-going audiences through the decades, the award-winning Miss Vilma Santos to date, has remained the most accomplished and most prolific star in Philippine showbiz. Come September, a brand new film offering from Star Cinema will topbill Vilma, along with actor son Luis Manzano and box-office king John Lloyd Cruz. And with a 5-weekend ABS-CBN TV reality-documentary on her life, loves and achievements, it’s expected to be an unforgettable month for Vilma fans the world over.

In My Life is the story of a short-tempered librarian who raised her three children in the United States, with their own stories of growing-up conflicts and life’s misadventures. Real-life son Luis plays her gay son attached to his boyfriend, played by John Lloyd – one of the controversial and awaited features in the film. It is amazing how Vilma, the duly-elected Governor of Batangas (one of the country’s major provinces), still managed to give shooting time for this film, her first in a long time since the box-office hit Mano Po 3 in 2004. Even more work from the veteran star poured into a 5-part television special – Vilma: A Woman For All Seasons – that showcased her different facets, as a film and media icon, as a performing artist, as a politician, and as a mother and wife. Airing for five Saturdays at 9:30pm starting August 1st, the last episode on August 29 will feature exciting behind-the-scene takes from their filming in New York.
I chanced upon Vilma sharing a light moment with her guest performers Angelica Panganiban, Iya Villaniya and Shaina Magdayao at ABS-CBN’s studio 10, in between takes for the variety show episode of the TV special. “Pinilit nga nila ako na gumawa ng production number dito, pero sabi ko…ibinigay ko na sa mga bagets…the worst that can happen ay iko-compare pa nila yung dati ‘saka yung ngayon (I was forced to perform for a production number but I delegated that to the young stars…they might compare how I was in the past, and how I am now,” Vilma confessed. The defunct but long-running TV weekly variety-musical VILMA! always started with a fully-choreographed grand opening number, and this was a routine she left long ago when she decided to run for the post of Mayor of Batangas years ago. But as the days went on, the star expressed how much she missed dancing and performing. For the young stars who took part in this special, it was a once-in-a-lifetime privilege to share the stage and spotlight with the legendary Star For All Seasons, who indeed retained her brilliance as a dancer and performer. The TV special is expected to be an unequalled glittery television event that will feature the brightest stars in Manila showbiz today – Claudine Barretto, Kim Chiu, Angelica Panganiban, and many more. Vilma, as shown in this TV show and upcoming film will again, and always be the season’s best we should all watch for.

Starstung

•July 9, 2009 • 2 Comments
Shaking the hand of a megabrand

Shaking the hand of a megabrand

I am very proud of Jolibee. I think this large, colorful, choreographically-adept insect has reached hero stature in our country, especially among those at the age when one has  just learned to cross the street. More than that delightful icon that our kids will remember like we do Michael Jackson, the Bee has actually become the icon of the Philippines’ originality and marketing ingenuity that not only made a few hundred very rich franchisees, it has also united Filipinos everywhere on the globe. When I lived in Singapore for a few years, every friend who returns from a trip to Manila MUST have a few buckets of Chickenjoy as pasalubong, or nobody will quite remember you even left. I think it’s the delicious part of being Filipino — Jolibee represents that facet of us that shouts to be recognized, a commitment to do well, and a spirit of service inherent in every self-respecting Pinoy who worked honestly for a living. It’s that part of being Filipino that makes me feel good about myself, wherever I went in the world.

 
Follow

Get every new post delivered to your Inbox.